“One of the reasons I wanted to come to Washington, D.C. is because it has such a vibrant theater ecology,” Goyanes shares.
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D.C. THEATRE REIMAGINED. It’s no secret that the Performing Arts Issue is my favorite recurring theme in the magazine. In fact, it’s the one issue I will never budge on swapping out on an annual basis. As a lifelong theatre nerd and avid proponent of D.C.’s burgeoning performing arts scene, I am so proud of what we’ve accomplished on our stages and all of the ways we continue to push the envelope locally, regionally and nationally. Long before my time as managing editor of On Tap Magazine, District Fray’s predecessor, I was a freelance theatre writer in the D.C. area. I spent my early to mid-20s bopping around to every press night I was invited to attend, fangirling over local theatre legends, and doing my best to wax poetic about everything from black box productions to award-winning shows. It became a self-imposed mission of mine to make theatre relatable to younger audiences — to show locals in their 20s and 30s that the upper crust of D.C. was not the only (or most relevant) demographic for these art forms. In fact, our city’s theatre institutions take great pride in promoting inclusivity and accessibility. The performing arts in the District became a linchpin of the magazine once I became editor, something I carried with me when we were acquired by Fray, when we rebranded as District Fray, and when we survived a pandemic and evolved into who we are now. And I remain unwavering in my commitment to cheerleading our theatre scene. It’s simply incredible.
In this issue, Colleen Kennedy interviews three artistic directors for our cover story: Maria Manuela Goyanes of Woolly Mammoth Theatre Company, Karen Ann Daniels of Folger Theatre and Matthew Gardiner of Signature Theatre. We handpicked our cover subjects for their innovative methods, fresh takes and above all else, dedication to supporting one another and truly connecting with their audiences. Aviva Bechky and Bree Rodrigues-Oliveira built the ultimate performing arts guide: a list of 50 performances to see, theatre companies to check out, artists to watch and much more. Amy Saidman and her storytelling peers reminisce about 25 years of arts organization Story District, Nicole Schaller interviews Signature Theatre’s costume director and a Baltimore-based cosplayer and part-time mermaid, Jennifer Tisdale chats with a true Renaissance man, and Chad Kinsman visits new comedy club Hotbed. We also round up some of our favorite local comedy shows, interview D.C.-based wig designers, delve into the world of physical comedy, discover a choose-your-own-adventure video game created by a team of performance artists, and talk to the talented minds behind CityDance. And if theatre isn’t your thing, be my date to a performance this fall so I can prove you wrong. Or, if you don’t want to hang out with me, thumb through the September issue for everything from managing editor Brandon Wetherbee’s interview with indie artist Neko Case to food writer Nevin Martell’s description of an oyster “cappuccino.” And please, consider supporting local theatre and checking out a show this fall.
Monica Alford
Editor-in-Chief
FEATURED
17 Must-See Productions in 2022-2023
Shakespeare, “Hamilton,” “Angels in America”: D.C.’s theatre scene has a play for everyone in the city this season.
I Did It for the Story: Story District on 25 Years of Storytelling
“I’ve had people say to me it was Story District that gave them a place of belonging in D.C.”
CULTURE
15 Up-and-Coming Theaters + Venues in D.C.
haus of bambi embraces genderless and gendermore expression; Taffety Punk Theatre Company approaches performance with punk rock elation; Spooky Action Theater puts forth stellar plays that invite speculation and curiosity from their audiences. Check out D.C.’s unorthodox venues.
Six Dance Companies to Know
“When all those pieces are put together and you see a performer on stage, it’s magic,” Sarah J. Ewing says.
The Kings of Pretty Boi Drag Take Back the Stage
“Pretty Rik E’s definitely much more of a button-up shirt, nice shiny blazer kind of performer,” he says. “I typically wear tuxedo jackets, and definitely nice dress shoes. I love men’s dress shoes. Oh my god, I love them so much.”
MORE CULTURE
How to Run a Theatre Workshop Actors Enjoy
Working with other creatives isn’t always easy. And when it comes to creatives in the theatre world, there can be more hair pulled out than lines memorized.
Tristan B. Willis Talks Game Design + Playwriting
“I want to create theatre where the audience is essential.”
Andile Ndlovu on Choreographing Change
“By progressing [dance], we’re making it grow and flourish, and the universe — or everybody in the dance world or in the world — will see how we’re reaching for new heights as ballet.”
MORE CULTURE
Cecelia McKinley + Christian Simmons Talk Opera
“I love the connection opera makes to our everyday lives that we do not realize.”
Paige Hernandez Talks Hip-Hop + Coming Full Circle
“The work is sophisticated. It has education at its base. And it’s based in more of the old school roots of hip-hop: peace, love, unity and having fun.”
Graciela Rey Talks Theatre Education
“When I saw my first musical, I was amazed to see something that felt as rich, vivid and full as my world did. I remember thinking: That’s it, that’s me, that’s what I want to do.”
MORE CULTURE
Jesse Belsky on Using Lighting to Tell Stories
“Great theatre is built layer upon layer, choice upon choice, by many hands working together.”
Paige Hathaway Talks Set Design
“You’re able to get away with some fun, stylized representations of reality — or even go further out and do something more expressive about creating a tone or a feeling.”
Drew Lichtenberg on Nerdiness and Shakespeare
“I’m such a nerd that I have a tattoo on my arm of a utopian theater design by Walter Gropius, the Bauhaus founder and architect.”
MORE CULTURE
Hotbed: Comedy in the Inferno
“You’re like a guinea pig up there,” Walton says of opening a show. “A piñata. A thermometer. The first Wright brother.”
CityDance: Creators of the New Dance World
“It feels very surreal sometimes, very energetic. I like to think I’m a very detail-oriented dancer, [and know] where to place every single part of my body correctly in space.”
Funny Ha-Ha: 7 Local Comedy Troupes + Showcases
If you’re looking for a joy-fix this autumn, check out these shows designed to produce the laughs and vibes you need to survive the months to come.
MORE CULTURE
I Did It for the Story: Story District on 25 Years of Storytelling
“I’ve had people say to me it was Story District that gave them a place of belonging in D.C.”
Storytelling Spotlights
Whether divulging an embarrassing dating story, reflecting on a lost loved one or recalling a favorite childhood memory, local performers keep us entertained with their talent, wit and charisma.
EAT
Eight Trailblazing Women in D.C. Hospitality
We can’t cover every superstar female chef, manager, owner and mixologist, but this list is a great sampling of some of the women we are lucky to have working in our city.
Shucking Awesome
For dinner, the pair harvested oysters from the river. His grandfather would put a pot over the campfire, toss in freshly shucked bivalves along with lots of cream and butter, smoked fatback and a few seasonings.
MUSIC
Neko Case: “Wild Creatures” in America
“I want to write songs you feel invited to, like you could kind of wear them around. It’s like borrowing a piece of clothing from your best friend.”
A Spin on Tradition: Rebirth Brass Band Kicks Off Wolf Trap Season
“I think the band has always been adaptive and evolving,” Hall says. “New Orleans people always keep the tradition. But we find ways to stay new.”
LIFE
Strand by Strand: Wig Makers Bring Theatre Characters to Life
“We’ve all done a pretty good job of creating whatever we’re creating here on stage. And then the icing on the cake is a wig,” Anne Nesmith says. “Suddenly, you understand where you are and when you are.”
The Engineer that Could: Signature Theatre’s Natalie Kurczewski
“I am not a costume designer. I am an engineer.”
A Renaissance Man’s Last Huzzah
“The festival is a nice place to just be who you are without judgment,” Skaradek explains. “Now, when the world is getting stranger, I feel like more people are showing up to be themselves and feel safe.”
MORE LIFE
The Companies We Keep: Journalist Wendi Winters’ Legacy
So much of the good that happens in our arts community doesn’t get reported. Did you know, for example, that Washington, D.C. is home to nearly 80 professional theatre companies?
Ashes to Ashes: An Interview with Artist Tranquil Ashes
“I never went into [cosplay] thinking I was going to be an example.”
PLAY
A Beginner’s Guide to Putting on a Variety Show
“Variety is such a catch-all term — what you can bring to the variety stage is near limitless. That’s what I love about what we’re doing. It’s a different show every time, simply because there’s no end to what’s possible.”
A New Method of Delivery: Pivoting with “Dark City”
The characters have complex backstories, the plot is full of ups and downs, the dialogue is realistic. But “Dark City” isn’t a play. It’s a video game.
A Capital Game: How to Enjoy Soccer in D.C.
Whether you call it fútbol, futebol, Fußball, footie or soccer, here’s a primer on watching “the beautiful game” in the District.
FUN
September 2022 Photo Hunt
Find all the differences, and you might be ready to take the stage.
September 2022 Photo Hunt Answer Key
The answers to this month’s photo hunt…
MORE FUN
D.C. Theatre Reimagined Crossword
How fast can you hustle to the finish?
D.C. Theatre Reimagined Crossword Answer Key
Don’t peek unless you gave it your all.