Things To Do
|
Newsletter
|
Fraylife+
|
Fraylife+
  • Play

    Play

    • A Beginner’s Guide to Soccer
    • You Spin Me Right Round: D.C. Roller Skating 101 in 2021
    • Leading the League: The WNBA’s Natasha Cloud on Breaking Barriers + Inspiring D.C.
    • Spring Has Sprung: 10 Ways To Get Outside in the DMV
    • Play Week Combines Games + Social Impact
    • High and Go Seek Illustration
    • O Captain, My Captain: Washington Spirit’s Andi Sullivan
  • Life

    Life

    • Local Entrepreneurs Infuse CBD into Wellness
    • 19 Entrepreneurs Shaping D.C.’s Cannabis + CBD Industries
    • Upcycling in D.C.: Transforming a Culture of Consumption
    • The Green Issue: Experts + Advocates Make Case for Cannabis Legalization + Decriminalization
    • The District Derp Story
    • Grassfed Media Champions Cannabis Clients
    • Nat Geo Explorer Gabrielle Corradino on Plankton, the Anacostia + Conservation
  • Eat

    Eat

    • The State of Takeout in the District
    • A New Twist on Food Delivery: MisenBox
    • Next-Level Home Dining Experiences in D.C.
    • Foxtrot Market Is Officially Open for Business in Georgetown
    • Food Rescue + Assistance Programs Fill the Gaps in a Pandemic Food System
    • Hungry Harvest Helps to End Food Insecurity
    • Notable Summer Bar + Restaurant Reopenings to Try this Spring
  • Drink

    Drink

    • Pandemic Drinking: Derek Brown Leads the Way to Low-ABV Future
    • D.C.’s St. Vincent Wine Creates Covid-Conscious Experience
    • A New Way to Binge: Sobriety Anchors Business + Being for Gigi Arandid
    • King’s Ransom + The Handover in Alexandria Celebrate a First Year Like No Other
    • Wines of the World Are Just Around the Corner
    • Open-Air Drinking + Cocktail Delivery Changes in the DMV
    • Denizens Brewing Co.’s Emily Bruno: Brewing Change for Community + Industry
  • Culture

    Culture

    • The Artistry Behind D.C.’s Cannabis Culture
    • The Best Movies of 2021…So Far
    • The Survival of the Brutalist: D.C.’s Complicated Concrete Legacy
    • Plain Sight: A Street-Front Revolution in Radical Arts Accessibility
    • A Touch of Danger in Shakespeare Theatre Company’s “Romeo & Juliet”
    • Artgence + Homme: Where There’s Art, There’s a Story to Share
    • 21 D.C. Makers + Curators to Follow
  • Music

    Music

    • Emma G Talks Wammie Nominations and the D.C. Music Community
    • J’Nai Bridges: A Modern Mezzo-Soprano in a Changing Opera Landscape
    • Punk Legends The Go-Go’s Talk Four Decades of Sisterhood, Resilience + Zero Fucks Given
    • Ellen Reid “Soundwalk:” Exploring the Sonic Landscape at Wolf Trap
    • SHAED Releases First Full-Length Album in a “High Dive” of Faith
    • Obama + Springsteen Present “Renegades”
    • Christian Douglas Uses His “Inside Voice” on Pandemic-Inspired Debut Album
  • Events

    Events

    • Play Week 4.17-4.25
    • Midnight at The Never Get 4.30-6.21
    • Cannabis City Panel Presented by BĀkT DC + District Fray
    • Browse Events
    • DC Polo Society Summer Sundays 5.9
    • National Cannabis Festival’s Dazed & Amused Drive-In Party
    • Vinyl + Vinyasa 4.30
  • Fraylife+

Fraylife+
Spring ’25 Spirit Week: Spring Break
People gathering for Union Market's outdoor movie series.
The Complete D.C. Outdoor Movie Guide
Play Free This Summer: Here’s How to Score Big with a Fraylife+ Membership
Get Ready for the 2025 Maryland Craft Beer Festival in Frederick
Johns Hopkins Peabody Performance Series 2025
Tephra ICA Arts Festival Returns to Reston Town Center for Its 34th Year
Home » Articles » Music » Kacey Musgraves’ Gentle Revolution

Music

Photo: Kyle Gustafson for The Anthem

Kacey Musgraves’ Gentle Revolution

Share:

January 25, 2019 @ 12:00am | Jackson Sinnenberg

Kacey Musgraves stands before an audience of a few thousand at The Anthem, exuding a calm but taut command of the stage. The Grammy and CMA-winning singer-songwriter guides her band through the final lines of “Golden Hour,” the enveloping, intimate title track of her most recent album.

She sings the post-chorus refrain “Yeah, I know everything is gonna be alright” like she’s leading the audience through a group-exhalation of all the world’s pressures. Musgraves flashes the smallest hint of a wicked smile before letting the words “golden showers” ring through the theater.

The crowd grins and guffaws in response before she smirks mischievously and says, “Y’all know you like it, shut up!” The moment would seem pretty unthinkable at any other country concert, but such irreverence and boundary pushing are part and parcel for Musgraves, whose been leading something of a soft-power revolution in the country world.

At this sold-out stop for her Oh, What A World Tour you could find purple-haired punks and salmon-shirted preps, glitter-glammed queens and cowboys wearing ten gallons standing shoulder-to-shoulder, wrapped in awe as they sang along to every word, from the country chill-wave opening of “Slow Burn” to the final, triumphant, rhinestone-disco kiss-off closer of “High Horse.”

That audience reflects the work Musgraves has been doing for the last six years of her touring career: bringing her own brand of country out of dirt road wonderlands into hard-walked city streets while maintaining the validity of both.

Long before she spent the last year opening for Little Big Town and Harry Styles, Musgraves was rocking the rhinestones with Katy Perry. It’s a vision of country music that is inclusive and almost democratic in its own way, where Musgraves is less trying to bring the country to the people and more trying to make a country with the people.

“I know that country music isn’t the most inclusive of environments,” Musgraves commended near the end of her set, “So, it’s really f-cking cool that you guys don’t care!”

Her sound has evolved alongside the growth of her audience and spread of this mentality, although less than you might think. Songs from her first two records, which leaned more into the traditional country palette, nestled comfortably into the celebratory sound of “Golden Hour.”

“Die Fun” from Pageant Material picked up a slapping, early Maroon 5 meets the dance floor bassline that had the room grooving; the twang of “High Time” glided along the pedal-steel melody to the rafters.  The biting message of “Merry Go ‘Round,” reverberated across every ear drum, pushed into our aural passages by the arena-pulsating power of the new keyboard, bass-punctuated arrangement.

The songs that comprise “Golden Hour,” all of which were played in one form or another across the 90-minute set, were an ideal match for the cathedral-like space of The Anthem. These are unhurried songs that need time to settle to be fully absorbed, and the acoustics aided this sonic osmosis.

The wide-open, booming-across-the-plains sound of “Space Cowboy” reverberated into every corner of the venue, carrying the full weight of her wit and melancholy with every word. Songs like “Rainbow,” “Wonder Woman” and “Oh, What a World” rose like the sunrise as hymns of self-empowerment, introspection and compassion.

As Musgraves launched into numbers like “Space Cowboy,” “High Horse” and “Follow Your Arrow,” the cornerstones of her catalog of laureate wit rebukes – they seemed less like tell-offs and more like communal celebration, a group exorcism of all the ills that motivate those songs.

It proved another small step in her revolution, as she brings country music into big venues without the bombast and swagger of her more industry-accepted peers, to choose honey over vinegar. It reflected her utopia vision for country, one where space cowboys riding in on high horses are welcome, as long as they let everyone follow their arrow.

For more information about Kacey Musgraves, visit here.

Share with friends

Share:

Related Articles

<h3>No Articles</h3>
COMPANY
About United Fray Team Hiring: Join Our Team!
GET INVOLVED
Become A Member Corporate Wellness Contact: Media Pitches + Advertising Inquiries
EXPLORE
Eat Drink Music Culture Life Play Events Calendar
OUR CITIES
Washington D.C. Jacksonville Phoenix United Fray
Sign Up

Get the best of D.C. delivered to your inbox with one of our weekly newsletters.

Sign Up

© 2025 District Fray – Making Fun Possible.