Things To Do
|
Newsletter
|
Fraylife+
|
Fraylife+
  • Play

    Play

    • A Beginner’s Guide to Soccer
    • You Spin Me Right Round: D.C. Roller Skating 101 in 2021
    • Leading the League: The WNBA’s Natasha Cloud on Breaking Barriers + Inspiring D.C.
    • Spring Has Sprung: 10 Ways To Get Outside in the DMV
    • Play Week Combines Games + Social Impact
    • High and Go Seek Illustration
    • O Captain, My Captain: Washington Spirit’s Andi Sullivan
  • Life

    Life

    • Local Entrepreneurs Infuse CBD into Wellness
    • 19 Entrepreneurs Shaping D.C.’s Cannabis + CBD Industries
    • Upcycling in D.C.: Transforming a Culture of Consumption
    • The Green Issue: Experts + Advocates Make Case for Cannabis Legalization + Decriminalization
    • The District Derp Story
    • Grassfed Media Champions Cannabis Clients
    • Nat Geo Explorer Gabrielle Corradino on Plankton, the Anacostia + Conservation
  • Eat

    Eat

    • The State of Takeout in the District
    • A New Twist on Food Delivery: MisenBox
    • Next-Level Home Dining Experiences in D.C.
    • Foxtrot Market Is Officially Open for Business in Georgetown
    • Food Rescue + Assistance Programs Fill the Gaps in a Pandemic Food System
    • Hungry Harvest Helps to End Food Insecurity
    • Notable Summer Bar + Restaurant Reopenings to Try this Spring
  • Drink

    Drink

    • Pandemic Drinking: Derek Brown Leads the Way to Low-ABV Future
    • D.C.’s St. Vincent Wine Creates Covid-Conscious Experience
    • A New Way to Binge: Sobriety Anchors Business + Being for Gigi Arandid
    • King’s Ransom + The Handover in Alexandria Celebrate a First Year Like No Other
    • Wines of the World Are Just Around the Corner
    • Open-Air Drinking + Cocktail Delivery Changes in the DMV
    • Denizens Brewing Co.’s Emily Bruno: Brewing Change for Community + Industry
  • Culture

    Culture

    • The Artistry Behind D.C.’s Cannabis Culture
    • The Best Movies of 2021…So Far
    • The Survival of the Brutalist: D.C.’s Complicated Concrete Legacy
    • Plain Sight: A Street-Front Revolution in Radical Arts Accessibility
    • A Touch of Danger in Shakespeare Theatre Company’s “Romeo & Juliet”
    • Artgence + Homme: Where There’s Art, There’s a Story to Share
    • 21 D.C. Makers + Curators to Follow
  • Music

    Music

    • Emma G Talks Wammie Nominations and the D.C. Music Community
    • J’Nai Bridges: A Modern Mezzo-Soprano in a Changing Opera Landscape
    • Punk Legends The Go-Go’s Talk Four Decades of Sisterhood, Resilience + Zero Fucks Given
    • Ellen Reid “Soundwalk:” Exploring the Sonic Landscape at Wolf Trap
    • SHAED Releases First Full-Length Album in a “High Dive” of Faith
    • Obama + Springsteen Present “Renegades”
    • Christian Douglas Uses His “Inside Voice” on Pandemic-Inspired Debut Album
  • Events

    Events

    • Play Week 4.17-4.25
    • Midnight at The Never Get 4.30-6.21
    • Cannabis City Panel Presented by BĀkT DC + District Fray
    • Browse Events
    • DC Polo Society Summer Sundays 5.9
    • National Cannabis Festival’s Dazed & Amused Drive-In Party
    • Vinyl + Vinyasa 4.30
  • Fraylife+

Fraylife+
Spring ’25 Spirit Week: Spring Break
People gathering for Union Market's outdoor movie series.
The Complete D.C. Outdoor Movie Guide
Play Free This Summer: Here’s How to Score Big with a Fraylife+ Membership
Get Ready for the 2025 Maryland Craft Beer Festival in Frederick
Johns Hopkins Peabody Performance Series 2025
Tephra ICA Arts Festival Returns to Reston Town Center for Its 34th Year
Home » Articles » Music » Graham Nash on Contentment, New Albums + Major Life Changes

Music

Graham Nash. Photo by Amy Grantham.

Graham Nash on Contentment, New Albums + Major Life Changes

Share:

April 3, 2023 @ 12:00pm | Christina Smart

Graham Nash discusses his career in music before heading to The Birchmere for a career-culminating show.


As a singer and songwriter, Graham Nash has always found a way to comment on the current state of his personal life and the world at large. 

Nash’s upcoming release “Now” — his first album in seven years — balances love and turmoil, something he has done for the past 60 years as a solo artist, and as a member of The Hollies and Crosby, Stills & Nash. Nash will also bring “Sixty Years of Songs and Stories” to the Birchmere on April 18 and 19.

Speaking from his home in New York City, Nash sounds ridiculously content. There could be a variety of reasons for this: the life he shares with his wife of nearly four years, Amy Grantham; his practice of transcendental meditation (a gift from his friend David Lynch); or the realization that, at 81, he’s still got it musically. Whatever the reason, he’s looking forward and back simultaneously.

“It’s a very reflective album,” Nash says. “I think that’s a pretty good word for it.”

A significant portion of the album focuses on Nash’s relationship with Grantham. In these songs, Nash isn’t exactly giddy as a schoolboy on a first date (he is 81, after all). What does come through, however, is the complete love, gratitude and appreciation Nash has for Grantham — to the point that he bookends the album with love songs to her. 

“I think this is my most personal album,” Nash says. “The first words on the album are ‘I used to think that I would never love again.’ There are four or five songs written about my wife, Amy: ‘Follow Your Heart,’ ‘Love of Mine,’ the last song on the album, ‘When It Comes to You.’”

In “When It Comes to You,” Nash wears his heart on his sleeve, opening with the lyrics “When it comes to you/I have to tell the truth/You’re the very best thing that’s happened to me.”

Reading these lyrics about love, one might think Nash has abandoned his protesting ways, content to think he’s earned the right to sit this one out. Hardly.

Photo by Amy Grantham.

This is the man who gave us “Chicago,” a 1971 protest song whose two-chord transition from A minor to G has found multiple second lives, having been sampled by everyone from Beanie Sigel to Leela James. 

“I’m very happy about that,” Nash says. “A lot of people might be unhappy that someone sampled a song, but I do believe that those two chords are incredibly powerful.” 

Now, some artists have found themselves self-censoring their material in order to keep their fortunes going. But for Nash, singing about injustices in the world is as routine as breathing.

“I wake up every morning and I get on with my life,” Nash says. “Obviously check the news — lots of news sites — and I keep in touch with what’s going on. That ends up in songs like ‘Stars and Stripes’ and ‘Golden Idols.’” 

“Golden Idols” directly addresses the assault on the Capitol on January 6, 2021. Nash doesn’t mince words. 

“They’re trying to re-write recent history/When the MAGA tourists took the hill/They will not stand up, ’cause they’re bought and paid for/Golden Idols control them still,” he sings.

His stature as a protest artist isn’t lost on Nash. If anything, he feels an obligation to speak up.

“A lot of my fans love me talking about what’s going on in my life,” Nash says. “Whether it’s hating Trump or hating the Republican administration, I think my songwriting has remained true to what I want to do. I want to make songs that enable you to shake your ass and also shake your mind up. To think about things you may not be aware of. And that’s what I’ve done with my life and I’m continuing to do it, and I’m proud of that.”

Changes in life are inevitable. The passing of David Crosby, one of Nash’s on-again, off-again musical partners for more than 50 years (who died on January 18) sent Nash reeling. This is the only time in our conversation where the contentment fades and it’s clear Nash is still dealing with the sudden loss.

“Well, you know, my life changed desperately when David passed away,” Nash says. “It’s like an 8.5 earthquake. It happens and then there’s these aftershocks when you go back and you think, ‘Holy shit! He really is gone. Holy shit! He really is dead.’ But I’m getting better at only remembering the good times and the good music we made together.”

In this moment of reflection, Nash sounds wistful. He does find hope in a few core beliefs he holds steadfast: the power of music and his ability to carry on. 

“I do believe that the simplest song can change the world,” says Nash. “I absolutely believe it. I think music is a medium to exchange ideas, to talk about things, and I must tell you that being 81 years old, I am singing as good as I ever did. I think better, myself.”

Graham Nash plays at the Birchmere on April 18 and 19 at 7:30 p.m. Tickets are $99.50. “Now” is set to drop on May 19.      

The Birchmere: 3701 Mt. Vernon Ave. Alexandria, VA; birchmere.com // @thebirchmere

Want first access to select shows and performances around the city? Join the District Fray community to access free and discounted tickets. Become a member and support local journalism today.

Christina Smart

Share with friends

Share:

Related Articles

<h3>No Articles</h3>
COMPANY
About United Fray Team Hiring: Join Our Team!
GET INVOLVED
Become A Member Corporate Wellness Contact: Media Pitches + Advertising Inquiries
EXPLORE
Eat Drink Music Culture Life Play Events Calendar
OUR CITIES
Washington D.C. Jacksonville Phoenix United Fray
Sign Up

Get the best of D.C. delivered to your inbox with one of our weekly newsletters.

Sign Up

© 2025 District Fray – Making Fun Possible.