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Home » Articles » Culture » Stage and Screen: The White Snake, John Cusack, God of Carnage and More

Culture

Stage and Screen: The White Snake, John Cusack, God of Carnage and More

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April 27, 2019 @ 12:00am | Leah Seyoum

THROUGH SUNDAY, MAY 19

The Great Commedia Hotel Murder Mystery
The Great Commedia Hotel Murder Mystery promises to give you “Zanni bellhops, femme fatales, hidden clues, mustachioed detectives and more!” In the tradition of classic mysteries from Agatha Christie, Sherlock Holmes and Clue, this entertaining whodunnit ends Faction of Fools Theatre Company’s monumental 10th anniversary season. Various dates and times. Tickets $22. Faction of Fools Theatre Company: 800 Florida Ave. NE, DC; www.factionoffools.org

THROUGH SUNDAY, MAY 26

The White Snake
Inspired by an ancient Chinese fable, The White Snake tells the story of animal spirit White Snake, who transforms into a beautiful woman to experience the human world. When White Snake falls in love with a pharmacist’s assistant, their illicit romance draws the ire of a villainous monk who sets out to destroy their relationship. Various dates and times. Tickets $19-$45. Constellation Theatre Company: 1835 14th St. NW, DC; www.constellationtheatre.org

THROUGH SUNDAY, JUNE 2

The Oresteia
Adapted from the Greek tragedy trilogy, Ellen McLaughlin’s The Oresteia is coming to the Shakespeare Theatre Company. On the surface, it’s an epic story about love, betrayal, murder and revenge. But at its core, The Oresteia is a critique of human civilization. McLaughlin condenses the trilogy into one dynamic show with expert finesse. Various dates and times. Tickets $44-$118. Shakespeare Theatre Company’s Sidney Harman Hall: 610 F St. NW, DC; www.shakespearetheatre.org

THROUGH SUNDAY, JUNE 9

Love’s Labor’s Lost
In this early Shakespeare comedy, a young king and his three companions swear off women in order to focus on their studies and fasting. However, when a princess and her female companions arrive, the young men find it increasingly difficult to deny their lustful desires. Directed by Vivienne Benesch, Love’s Labor’s Lost is a delightfully witty, amusing and timeless tale. Various dates and times. Tickets $42-$79. Folger Theatre: 201 E. Capitol St. SE, DC; www.folger.edu

WEDNESDAY, MAY 1 – SUNDAY, JUNE 2

The Children
The protagonists of The Children, a couple of retired physicists, live in a remote cottage on the British coast. They live a simple, modest life in the aftermath of a nuclear disaster, carefully conserving their resources to get by. But a surprise visit from a former colleague upends the couple’s lives, revealing old secrets with catastrophic consequences. The Children is loosely based on the Fukushima nuclear disaster of 2011. Various dates and times. Tickets $52-$65. Studio Theatre: 1501 14th St. NW, DC; www.studiotheatre.org

SATURDAY, MAY 4 – SATURDAY, MAY 25

God of Carnage
The 2009 Tony Award-winning play God of Carnage was originally a French tale but has been translated due to popular demand. The play centers around a feuding set of parents who meet after their children clash in a playground altercation. What begins as a civil conversation devolves into a jarring confrontation between the parents and ultimately their own partners. Various dates and times. Tickets $50. Keegan Theatre: 1742 Church St. NW, DC; www.keegantheatre.com

TUESDAY, MAY 7 – THURSDAY, MAY 9

The Chibok Girls: Our Story
Few girls have captured the world’s attention like the Chibok Girls. In 2014, 273 Nigerian girls were kidnapped from a school in the town of Chibok, stirring international outrage and widespread protests in Nigeria. In a predictable fashion, the world seemed to forget about the kidnapped girls just as quickly as they’d learned about their disappearance. Renegade Theatre’s The Chibok Girls: Our Story is a reminder in the form of testimonial theatre. The event also features Nobel Prize-winning playwright and author Wole Soyinka and is part of CrossCurrents, a “citywide biennial festival that highlights innovative artists from around the world who are harnessing the power of performance to humanize global politics.” Begins at 7:30 p.m. each night. Tickets are $20. Davis Performing Arts Center: 37th and O Streets NW, DC; www.georgetown.edu

THURSDAY, MAY 16

John Cusack, Plus a Screening of High Infidelity
John Cusack is recognizable from a ton of movie roles, but perhaps none are as iconic and memorable as Rob Gordon, a music connoisseur and record shop owner searching for love in the classic rom-com High Fidelity. Throughout the film, Gordon muses on his past relationships and the sobering realities of love and companionship. Cusack himself will discuss the film in person and take questions from the audience following the screening at the Warner Theatre. Doors at 6:30 p.m. Show at 7:30. Tickets $49-$150. Warner Theatre: 513 13th St. NW, DC;www.warnertheatredc.com

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