Things To Do
|
Newsletter
|
Fraylife+
|
Fraylife+
  • Play

    Play

    • A Beginner’s Guide to Soccer
    • You Spin Me Right Round: D.C. Roller Skating 101 in 2021
    • Leading the League: The WNBA’s Natasha Cloud on Breaking Barriers + Inspiring D.C.
    • Spring Has Sprung: 10 Ways To Get Outside in the DMV
    • Play Week Combines Games + Social Impact
    • High and Go Seek Illustration
    • O Captain, My Captain: Washington Spirit’s Andi Sullivan
  • Life

    Life

    • Local Entrepreneurs Infuse CBD into Wellness
    • 19 Entrepreneurs Shaping D.C.’s Cannabis + CBD Industries
    • Upcycling in D.C.: Transforming a Culture of Consumption
    • The Green Issue: Experts + Advocates Make Case for Cannabis Legalization + Decriminalization
    • The District Derp Story
    • Grassfed Media Champions Cannabis Clients
    • Nat Geo Explorer Gabrielle Corradino on Plankton, the Anacostia + Conservation
  • Eat

    Eat

    • The State of Takeout in the District
    • A New Twist on Food Delivery: MisenBox
    • Next-Level Home Dining Experiences in D.C.
    • Foxtrot Market Is Officially Open for Business in Georgetown
    • Food Rescue + Assistance Programs Fill the Gaps in a Pandemic Food System
    • Hungry Harvest Helps to End Food Insecurity
    • Notable Summer Bar + Restaurant Reopenings to Try this Spring
  • Drink

    Drink

    • Pandemic Drinking: Derek Brown Leads the Way to Low-ABV Future
    • D.C.’s St. Vincent Wine Creates Covid-Conscious Experience
    • A New Way to Binge: Sobriety Anchors Business + Being for Gigi Arandid
    • King’s Ransom + The Handover in Alexandria Celebrate a First Year Like No Other
    • Wines of the World Are Just Around the Corner
    • Open-Air Drinking + Cocktail Delivery Changes in the DMV
    • Denizens Brewing Co.’s Emily Bruno: Brewing Change for Community + Industry
  • Culture

    Culture

    • The Artistry Behind D.C.’s Cannabis Culture
    • The Best Movies of 2021…So Far
    • The Survival of the Brutalist: D.C.’s Complicated Concrete Legacy
    • Plain Sight: A Street-Front Revolution in Radical Arts Accessibility
    • A Touch of Danger in Shakespeare Theatre Company’s “Romeo & Juliet”
    • Artgence + Homme: Where There’s Art, There’s a Story to Share
    • 21 D.C. Makers + Curators to Follow
  • Music

    Music

    • Emma G Talks Wammie Nominations and the D.C. Music Community
    • J’Nai Bridges: A Modern Mezzo-Soprano in a Changing Opera Landscape
    • Punk Legends The Go-Go’s Talk Four Decades of Sisterhood, Resilience + Zero Fucks Given
    • Ellen Reid “Soundwalk:” Exploring the Sonic Landscape at Wolf Trap
    • SHAED Releases First Full-Length Album in a “High Dive” of Faith
    • Obama + Springsteen Present “Renegades”
    • Christian Douglas Uses His “Inside Voice” on Pandemic-Inspired Debut Album
  • Events

    Events

    • Play Week 4.17-4.25
    • Midnight at The Never Get 4.30-6.21
    • Cannabis City Panel Presented by BĀkT DC + District Fray
    • Browse Events
    • DC Polo Society Summer Sundays 5.9
    • National Cannabis Festival’s Dazed & Amused Drive-In Party
    • Vinyl + Vinyasa 4.30
  • Fraylife+

Fraylife+
Spring ’25 Spirit Week: Spring Break
People gathering for Union Market's outdoor movie series.
The Complete D.C. Outdoor Movie Guide
Play Free This Summer: Here’s How to Score Big with a Fraylife+ Membership
Get Ready for the 2025 Maryland Craft Beer Festival in Frederick
Johns Hopkins Peabody Performance Series 2025
Tephra ICA Arts Festival Returns to Reston Town Center for Its 34th Year
Home » Articles » Culture » The New Golden Age of Hollywood: Vanessa Hudgens in Gigi

Culture

The New Golden Age of Hollywood: Vanessa Hudgens in Gigi

Share:

January 23, 2015 @ 12:00am | Monica Alford

Vanessa Hudgens is making her Broadway debut at the Kennedy Center through February 12 as the iconic Gigi in this classic musical about a young woman who chooses her own destiny. The 26-year-old actress and songstress, whose film repertoire ranges from the High School Musical franchise to Harmony Korine’s campy Spring Breakers, says playing Gigi is just bringing it back to basics for her.

“I feel so comfortable and at home,” she says of her role in Gigi. “I just feel like everything is right in the world when I’m doing this. It’s a really reassuring feeling.”

Hudgens is smitten with her character, a bold teenager preparing for life as a courtesan during the Belle Époque in Paris under the guidance of her grandmother, Mamita Alvarez (played by actress Victoria Clark). But when Gigi meets dashing bachelor Gaston (played by actor Corey Cott), she realizes that she wants more from life than to be someone’s mistress.

As Gaston falls in love with Gigi and prepares an offer for Mamita to take her as his mistress, Gigi challenges him to consider a different path for them – one that could lead to a committed relationship and perhaps even marriage.

“I think that it’s really empowering for audiences to see our characters go through such a big change,” Hudgens says of the love-struck pair. “They start off as one thing and then turn into something else – a truer version of themselves.”

The actress says that the musical opens with Gigi as a young girl pressured to live her life a certain way, but who ultimately decides that she doesn’t want to be what everyone else wants her to be.

“She creates her own rules and finds her own happiness. And I think that’s a really good message to remind everyone: Don’t let others tell you who to be. You just do you because that’s how you’re going to find your truth and your happiness.”

Hudgens can relate to this personal journey. As a teen sensation who first began her career in musical theater at eight years old, the actress has spent nearly two decades learning how to be the author of her own narrative. She says that Gigi knows what she wants and just goes for it, and that reminds Hudgens of herself in many ways.

“That’s how I try to live my life,” she says. “I always say that I can’t live my life through other people’s eyes because then it would leave me very unhappy. And you only get one shot at life, so I try to just live every day as my truest self and that’s how Gigi is.”

There have been many incarnations of French novelist Colette’s Gigi, most notably the original 1951 Broadway production that put Audrey Hepburn on the map and the award-winning 1958 film directed by Vincente Minnelli (Liza’s dad, Judy Garland’s ex-husband, and the man behind some of the most memorable musicals in the Golden Age of Hollywood, most notably Meet Me in St. Louis and An American in Paris.)

Though Gigi has taken a 40-year hiatus from Broadway, this newly adapted production of the musical directed by Eric Schaeffer remains a timeless story of standing up for your own beliefs, even if that means pushing against the grain.

“I think this is a very powerful story,” Hudgens says. “Even though it was done so long ago, it’s still so relevant in this modern day and age to empower people to find their own way and not be held back by social confinement.”

Along with a captivating storyline, Gigi features a stunning collection of songs – the 1973 Broadway production won the Tony Award for Best Score – and incredible costumes reminiscent of turn-of-the-20th-century European glamour. Hudgens describes the musical’s aesthetic as awe-inspiring, and credits costume designer Catherine Zuber with making audiences wish they had lived in such a fashionable era.

“Everyone carries themselves with such a regal aesthetic,” she says of the full cast in costume. “And it’s just really, really wonderful to see.”

The actress’s favorite moment of rehearsing for Gigi was on her first day in the theater with her fellow cast members, who she affectionately describes as a group of seasoned veterans that have become like family to her.

“We had our costumes on,” she says, “and we were just sitting in this space with all of our lights and sets. [I was] looking around and seeing these people who I’ve fallen in love with looking like the most beautiful versions of themselves, and just knowing that we’re about to embark on this journey together. It gave me butterflies.”

Hudgens chatted with On Tap before opening night, and though experiencing some normal pre-performance jitters, she opened up about how amazing this opportunity has been for her both professionally and personally.

“[Gigi] has honestly been one of the most fulfilling things I’ve done in a while. And once we get audiences in here, I’m sure I’m going to be on cloud nine.”

Gigi runs from January 16 to February 12 at the Kennedy Center, and will move to Broadway this spring. Tickets to Gigi run $45-$150. If you’re 18-30, join the Kennedy Center’s MyTix program to receive discount offers and free ticket giveaways.

Kennedy Center: 2700 F St. NW, DC; 800-444-1324; www.kennedy-center.org

Share with friends

Share:

Related Articles

<h3>No Articles</h3>
COMPANY
About United Fray Team Hiring: Join Our Team!
GET INVOLVED
Become A Member Corporate Wellness Contact: Media Pitches + Advertising Inquiries
EXPLORE
Eat Drink Music Culture Life Play Events Calendar
OUR CITIES
Washington D.C. Jacksonville Phoenix United Fray
Sign Up

Get the best of D.C. delivered to your inbox with one of our weekly newsletters.

Sign Up

© 2025 District Fray – Making Fun Possible.