For Signature Theatre’s world premiere of Blackbeard, the cast and crew has to look magnificent. The famed pirate, upon learning he is wanted by the British Army embarks on a fantastical journey across the globe to raise an undead-pirate army from the depths of the sea. To fully depict this fantastical spirit, costume designer Erik Teague was able to create a variety of colorful and outer-worldly outfits for this show, and he spoke to On Tap about his experience working on the production before the show begins its run on June 18.
On Tap: What brought you into costume design?
Erik Teague: I was that weird kid who loved comic books and movies, still true today, but the oddball component is that I really enjoyed opera. I thought I wanted to be an opera singer. As I studied, my love of music never changed, and I realized the thing that was exciting about the performance was the transformation. I finally realized, oh wait I’m just a designer, okay great!
OT: Did you know the Signature team prior, if not what was the collaborative process for you in terms of creativity?
ET: This is my very first time working with the team at Signature, they are a company I have long admired because of the ambitious nature of what they do. It is always interesting to come into a different artistic family than your own, this group of people has a long history of working together. I’ve had to figure out where to fit in, but overall it has been very good, we have been able to communicate with each other well and share ideas fluidly.
OT: Why did you choose to join the team for Blackbeard?
ET: An adventure fantasy musical that centers around pirates, I thought that was super exciting, and super in my artistic wheelhouse. Meaning there would be lots of sword fights and swashbuckling and swinging on ropes, which I find very interesting. Building costumes for these types of performances has different methods than other performances where you just walk across the stage and deliver your lines. The construction methods are different, it is always exciting to find out what a performer needs to be supported to do their choreography.
OT: What is your favorite moment of the show?
ET: There are a couple of good ones, but I will say the I am pretty proud of the zombie pirate horde. We have done some highly theatrical gestures, by a couple, I mean we have created a horde of skeleton pirates who glow in the dark by using tandem puppets. Three of them can walk in a line together, I worked with Kylie Clark, a talented artist who made the puppets, and helped to get them functional.
OT: What is your favorite costume in the show, if any?
ET: Definitely Blackbeard’s two coats, they are a wonderful show in contrasts. His first coat is very distressed and lived in, and looks like it could have walked off the Pirates of the Caribbean movie set. Versus the second coat, his afterlife coat. Blackbeard is living his best life in his afterlife. He has been beheaded as per the real history. He finally becomes the myth and legend he has been trying to live up to the whole time. I gave him the opportunity to look the best, [a] red velvet coat with black beading all over it, and black Venetian lace trimming.
Blackbeard opens at Signature Theatre June 18, running through July 14. For more information and tickets visit www.sigtheatre.org.
Signature Theatre: 4200 Campbell Ave. Arlington, VA; 703-820-9771; www.sigtheatre.org